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“LSD 2: Love Sex Aur Dhokha 2” – Technically polished but marred by storytelling flaws.

The anthology comprises three loosely interconnected stories exploring the intricacies of relationships, self-discovery, and identity against the backdrop of the digital age.

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It’s been 14 years since Dibakar Banerjee first delved into the themes of love, sex, and betrayal through the lens of cameras in his gripping film “LSD (Love, Sex Aur Dhokha).” Fast forward to 2024, and the narrative remains eerily relevant, albeit shifting to the digital realm.

Through the stories of Noor, Kullu, and Shubham (also known as Game Paapi), the film serves as a commentary on the increasing digitalization of our lives. The fictional reality show, Truth Ya Naach, becomes a platform for an estranged mother and her transwoman daughter to reconcile after two years. Meanwhile, Game Paapi’s life spirals out of control under the influence of gaming and influencer culture. While these stories explicitly showcase the digitalization of our lives, the implicit portrayal through characters like Kullu and Lovina feels somewhat inadequate.

“The anthology comprises three loosely interconnected stories exploring the intricacies of relationships, self-discovery, and identity against the backdrop of the digital age.”

Banerjee’s direction, along with the cinematography by Anand Bansal and Riju Das, and Naman Arora’s editing, creates a riveting and edgy world. The team excels in capturing the toxicity of the digital world, although the sequel tends to lean more towards sensationalism rather than thought-provoking storytelling. The narrative across the three volumes feels cluttered and lacks cohesion, despite catchy music by Tony Kakkar, Vayu, and Meet Bros that complements the film’s aesthetic.

The performances across the board are commendable, with standout portrayals by Paritosh Tiwari, Swaroopa Ghosh, Bonita Rajpurohit, and Swastika Mukherjee. Abhinav Singh delivers a particularly powerful performance. The film also features notable cameos by Urfi Javed, Anu Sardar Malik, Sophie Choudhary, Mouni Roy, and Tusshar Kapoor.

Despite its narrative shortcomings, “LSD 2” remains a visually captivating exploration of the dark side of our digital lives, anchored by strong performances. However, it struggles to deliver a cohesive narrative as compelling as its predecessor.

Hindi

Amitabh Bachchan Unveiled as Eternal ‘ASHWATTHAMA’ in ‘KALKI 2898 AD’

Amitabh Bachchan is set to play the role of ‘ASHWATTHAMA’ in this grand science fiction film slated for release on May 9, 2024.

Amitabh Bachchan is set to play the role of ‘ASHWATTHAMA’ in this grand science fiction film slated for release on May 9, 2024.

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The makers unveiled the highly anticipated new look of the legendary actor Amitabh Bachchan as ‘ASHWATTHAMA’ in the upcoming epic sci-fi ‘KALKI 2898 AD’ this Sunday. The film boasts an ensemble cast including Kamal Haasan, Prabhas, Deepika Padukone, and Disha Patani in pivotal roles. Bachchan also shared his new look on his Instagram handle, featuring him seated inside a temple, gazing towards a radiant beam of light, dressed in all-white attire, with the caption “Samay Aa Gaya Hai” (The time has come). Earlier that day, he posted another glimpse, offering a closer look at the character, captioning it with his reflections on the unique experience of working on the project and the camaraderie among his esteemed colleagues. To heighten anticipation, the makers released a 21-second video, adding to the excitement surrounding the film.

Regarded as the pinnacle of Indian cinema for the year, “Kalki 2898 AD” is helmed by director Nag Ashwin and brought to life by Vyjayanthi Movies. This grand spectacle garnered immense attention following its remarkable premiere at San Diego Comic-Con last year, garnering widespread acclaim on a global scale. With audiences worldwide eagerly awaiting its release, the anticipation surrounding the film continues to grow. Stay tuned for further updates!

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“Luv You Shankar” – Hindered by uninspired performances and a lackluster plot, this film struggles to captivate.

Following an accident, 8-year-old Shivansh has a startling revelation: he was once Rudra, a devout follower of Lord Shiva, whose life was tragically cut short by Siddheshwar, a deceitful Guru. Driven by a sense of injustice from his past life, Shivansh sets out on a quest to the sacred city, determined to seek retribution for Rudra’s untimely demise.

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“Luv You Shankar” falls short of expectations, offering little to captivate its audience. With an elementary storyline and lackluster execution, the film struggles to maintain interest, leaving viewers eager for it to end. Despite targeting children, its unimaginative plot, average performances, and subpar animation risk alienating even its youngest viewers, resulting in disappointment for all.

The plot centers around 8-year-old Shivansh (portrayed by Mann Gandhi), living in London with his parents. After an accident, he reveals unconscious ramblings hinting at a past life in Banaras. Upon visiting Banaras, Shivansh reunites with Madhav (played by Hemant Pandey), his close friend from his previous life, and discovers his true identity as Rudra (played by Shreyas Talpade), a devout follower of Lord Shiva who was killed by Siddhu (played by Abhimanyu Singh), now a fraudulent Guru named Siddheshwar. When Siddhu’s allies attempt to harm him, Shivansh is miraculously rescued by Lord Shiva, strengthening his resolve to seek vengeance.

While the film features talented actors such as Shreyas Talpade and Abhimanyu Singh, their performances fail to leave a lasting impact. Hemant Pandey’s portrayal of Madhav adds some excitement to the narrative, and Sanjay Mishra’s cameo injects humor into the final moments. Mann Gandhi’s portrayal of Shivansh is adequate but unremarkable, and Tanishaa’s brief appearance as Shreyas Talpade’s character’s wife lacks impact.

Director Sanjay S Ruia revisits the formula used in “My Friend Ganesha,” but fails to achieve the same impact. The film transitions from London to Banaras, but fails to capture the essence of either city. The animated depiction of Lord Shiva falls short of its potential, missing an opportunity to utilize advanced technology for a more credible and captivating visual. Despite showing promise initially, with flashy glimpses of past events, “Luv You Shankar” ultimately disappoints with its lackluster plot and execution.

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Hindi

“Do Aur Do Pyaar” – A delightful storyline elevates this familiar tale.

A married couple, seeking to escape the monotony of their relationship, engage in secret affairs with other individuals. However, during a trip away from home, their chemistry is reignited, leading to a shift in dynamics. Now torn between their lovers and their spouses, they must confront their feelings and decide whether to address their marital issues or proceed with their plans for separation.

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Based on the film “The Lovers,” this romantic comedy introduces us to two couples: Kavya (played by Vidya Balan) and Vikram (played by Sendhil Ramamurthy), and Aniruddh (played by Pratik Gandhi) and Nora (played by Ileana D’Cruz). However, the scene transitions to Kavya and Aniruddh trapped in the mundanity of married life. The film follows their journey as they navigate plans for separation and a trip to Ooty for Kavya’s grandfather’s funeral, which unexpectedly rekindles their own marital spark, leading them to confront a difficult choice.

While the premise of rediscovering love or choosing between spouses and lovers is not groundbreaking, director Shirsha Guha Thakurta injects a refreshing perspective. The film avoids moralizing or melodrama, opting for a lighthearted approach even when dealing with adultery.

Debutante director Thakurta, along with writers Suprotim Sengupta and Eisha A Chopra, crafts a light narrative filled with humor, even in tense moments. Aniruddh’s nervous slip-up, calling his father-in-law “Appam” by mixing Appa and Uncle, is one of many examples.

While the first half breezes by, the film stumbles slightly in the second half. Kavya and Aniruddh’s attempts to balance their rekindled romance and existing relationships become repetitive, and the narrative loses momentum, with the initial brilliance fading.

The film benefits from skillful treatment, credited to cinematographer Kartik Vijay, ISC. A slick soundtrack featuring performers and non-film artists like Lost Stories, The Local Train (with “Tu Hai Kahan” sung by Lucky Ali), When Chai Met Toast, Abhishek-Ananya, and Subhajit Mukherjee adds depth to the narrative.

The true strength of the film lies in its lead cast. Vidya Balan and Pratik Gandhi share undeniable chemistry, captivating viewers with their passionate reunion and portrayal of a failing marriage. Ileana D’Cruz stands out as a whiny yet endearing girlfriend, while Sendhil Ramamurthy delivers a convincing performance as the hotshot and artistic photographer.

Despite its uneven pacing, especially in the latter half, “Do Aur Do Pyaar” remains a watchable romantic comedy, thanks to its stellar performances, humor-infused script, and beautiful visuals.

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